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‘A New Ballardian Vision’

Metro Pictures

29 June 17 - 4 August 17

As a part of CONDO Complex New York, a gallery swap between New York galleries and national and international partners, Metro Pictures hosts Leo Xu’s two-part exhibition A New Ballardian Vision. The show brings together a selection of works that reflect recent social, technological and environmental developments through the lens of author J.G. Ballard’s (1930–2009) writings. Xu conceived the exhibition as two distinct chapters; the first features Metro Pictures artists Nina Beier, Camille Henrot, Martin Kippenberger, Oliver Laric, Robert Longo, Trevor Paglen, Jim Shaw and Cindy Sherman. The second chapter focuses on a younger generation of Chinese artists represented by Leo Xu Projects, including aaajiao, Chen Wei, Cheng Ran, Cui Jie, Li Qing, Liu Shiyuan and Pixy Liao.

In Chapter One, a recent untitled painting by Jim Shaw references imagery from H.G. Wells’s dystopian science fiction classic War of the Worlds. The painting features a figure based on Gilded Age industrialist William Henry Vanderbilt, depicted as a bloated gas bag scouring an ominous post-industrial cityscape with vacuum tentacles sucking up denizens in his path. Alongside Shaw’s work is a selection of photographs from Cindy Sherman’s Disasters series, which was first shown at Metro Pictures in 1987. The often grotesque tableaux are suggestive of macabre narratives and taboo psychosexual fantasies. Dark psychological currents are also evident in the works of Trevor Paglen, which directly address the omnipresence of the US surveillance state using the tropes of traditional landscape photography and painting.

Chapter Two includes works from seven Chinese artists represented by Leo Xu Projects. Both Chen Wei’s cinematically-staged photographs and Cui Jie’s multi-layered paintings reimagine China’s already strange urban landscapes after reform and opening-up. Li Qing paints post-apocalyptic scenes inspired by Hollywood films on windows made during Shanghai’s colonial period. Liu Shiyuan’s photo-collages and fictional diary tell the story of an anonymous female artist’s trek around the world and her subsequent encounters with political turmoil and war. aaajiao’s video installation draws on society’s obsession with social media and the culture of constant approval, conditions anticipated in Ballard’s writing.

 

Curated by Leo Xu.

Leo Xu is a Shanghai-based curator, writer and gallerist.

English novelist J.G. Ballard (1930–2009) was born and raised in the Shanghai International Settlement and was later imprisoned in an internment camp for European and American residents during the Japanese occupation of Shanghai during World War II. These experiences influenced the various dystopian themes found in his works.

 

Metro Pictures (press release)

 

“A New Ballardian Vision.”
Installation view, 2017. Metro Pictures, New York.
Courtesy Metro Pictures, New York.
Photo: Genevieve Hanson.
Cindy Sherman, Untitled, 1987
Chromogenic color print, 71 1/2 x 47 1/2 inches (image), 181.6 x 120.7 cm, 73 1/4 x 49 1/4 inches (frame)
186.1 x 125.1 cm. Edition 2 of 6.
Courtesy of the artist and Metro Pictures, New York.
Jim Shaw, Dream Object (Hanging legs made out of
fiberglass with toes bitten off to demonstrate effect of animal traps), 2007
paper, chicken wire, foam, acrylic paint, 58 x 14 x 27 inches (each), 147.3 x 35.6 x 68.6 cm.
Courtesy of the artist and Metro Pictures, New York.
“A New Ballardian Vision.”
Installation view, 2017. Metro Pictures, New York.
Courtesy Metro Pictures, New York.
Photo: Genevieve Hanson.
Robert Longo, Untitled (Mirror Flag), 2015
silver oxide, clear coated aluminum bonded polyester resin
42 x 56 x 14 inches, 106.7 x 142.2 x 35.6 cm. Edition 2 of 3, 2 AP
Courtesy of the artist and Metro Pictures, New York.
“A New Ballardian Vision.”
Installation view, 2017. Metro Pictures, New York.
Courtesy Metro Pictures, New York.
Photo: Genevieve Hanson.
“A New Ballardian Vision.”
Installation view, 2017. Metro Pictures, New York.
Courtesy Metro Pictures, New York.
Photo: Genevieve Hanson.
Nina Beier, Demonstrator, 2013
Deck chair and poster, 36 1/2 x 38 x 25 1/8 inches, 92.7 x 96.5 x 63.8 cm.
Courtesy of the artist and Metro Pictures, New York.
Oliver Laric, Mutter mit Kindern, 2016
two parts; selective laser sintering, polyamide, aluminum bases
57 x 13 1/4 x 8 3/4 inches (left side), 144.8 x 33.7 x 22.2 cm, 57 x 14 1/4 x 11 5/8 inches (right side), 144.8 x 36.2 x 29.5 cm, unique.
Courtesy of the artist and Metro Pictures, New York.
“A New Ballardian Vision.”
Installation view, 2017. Metro Pictures, New York.
Courtesy Metro Pictures, New York.
Photo: Genevieve Hanson.
Camille Henrot, Study for Nightmare (Minor Concerns), 2017
watercolor on paper, 30 x 22 inches (image), 76.2 x 55.9 cm.
Courtesy of the artist and Metro Pictures, New York.
“A New Ballardian Vision.”
Installation view, 2017. Metro Pictures, New York.
Courtesy Metro Pictures, New York.
Photo: Genevieve Hanson.
Liu Shiyuan, Untitled, 2014
set of 8 inkjet prints and 6 text prints, dimensions variable. Edition 1 of 6.
Courtesy of the artist and Leo Xu Projects, Shanghai.
Cui Jie, Friendship Building #2, 2017
oil on canvas, 90 1/2 x 59 inches, 229.9 x 149.9 cm.
Courtesy of the artist and Leo Xu Projects, Shanghai.
Pixy Liao, In One Dress, 2017
digital c-print, 40 x 30 inches (image), 101.6 x 76.2 cm, 40 7/8 x 30 7/8 inches (frame), 103.8 x 78.4 cm. Edition 1 of 3, 1 AP
Courtesy of the artist and Leo Xu Projects, Shanghai.
“A New Ballardian Vision.”
Installation view, 2017. Metro Pictures, New York.
Courtesy Metro Pictures, New York.
Photo: Genevieve Hanson.
Chen Wei, Light Box, 2013
archival inkjet print, 59 x 74 inches (image), 149.9 x 188 cm, 61 3/8 x 76 inches (frame), 155.9 x 193 cm. Edition 1 of 6.
Courtesy of the artist and Leo Xu Projects, Shanghai.

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