The exhibition runs from October 8 – December 8, 2017. The exhibition, curated by Kelsey Halliday Johnson, surveys a generation of pioneering female artists that reconsiders their role as technology innovations who helped shape the information age.
Early video work by: Lynda Benglis, Dara Birnbaum, Shigeko Kubota, Joan Jonas, Howardena Pindell, and Lillian Schwartz.
Artwork by: Jennifer Bartlett, Pati Hill, Catherine Jansen, Beryl Korot, Lynn Hershman Leeson, and Mary Ross.
Sound works by: Laurie Anderson, Wendy Carlos, Suzanne Ciani, Delia Derbyshire, Annea Lockwood, Pauline Oliveros, Eliane Radigue, and Laurie Spiegel.
Photo Credit: Studio LHOOQ
Photo Credit: Studio LHOOQ
Foreground: Lynda Benglis, Now 1973
Single-channel video, color, sound, 12 min.
Courtesy of Video Data Bank, represented by Locks Gallery
Photo Credit: Studio LHOOQ
Photo Credit: Studio LHOOQ
Pati Hill, Untitled (Circuit Board Study), c. 1975-79
Untitled (Xerox 9200 Advertisement) c. 1977, Black and white copier prints
Courtesy of the Estate of Pati Hill and Arcadia University
Howardena Pindell, Free, White, and 21 1980
Single-channel video, color, sound, 12 mins. 15 secs, Courtesy of Ubuweb, represented by Garth Greenan Gallery
Lynn Hershman Leeson, Roberta Construction Chart #2, 1975, Iris Print, Edition 9 of 12, Courtesy of Steven Sacks
Photo Credit: Studio LHOOQ
Photo Credit: Studio LHOOQ
Catherine Jansen
Sewing Space, 1981
Xerography on cloth, thread, embroidery
Photo Credit: Studio LHOOQ
Catherine Jansen
Sewing Space, 1981
Xerography on cloth, thread, embroidery
Photo Credit: Studio LHOOQ
Catherine Jansen
Sewing Space, 1981
Xerography on cloth, thread, embroidery
Photo Credit: Studio LHOOQ
Photo Credit: Studio LHOOQ
Left to right: Pati Hill, Petit Dragon, 1980
Black and white copier print collage, Courtesy of the Estate of Pati Hill and Arcadia University
Mary Ross, Dance Tapestry, 1979, Video Suicide, 1979, Orange Dancer, 1983, Archival pigment prints. Courtesy of the estate of the artist and Eric Ross
Beryl Korot, Weaver’s Notation-Variation 1, 1977/2012, Weaver’s Notation 2, 1977/2012, Digital embroidery and reproduction of drawings from the 1977 Text and Commentary installation on photo rag; each edition of 6.
Courtesy of the artist and Bitforms Gallery. Photo Credit: Studio LHOOQ
Photo Credit: Studio LHOOQ
Left to right:
Jennifer Bartlett, Expanding Square 1971. Courtesy of Locks Gallery
Jennifer Bartlett, Positive/Negative Series #1 Series X 1971. Courtesy of Locks Gallery
Photo Credit: Studio LHOOQ
Photo Credit: Studio LHOOQ
Photo Credit: Studio LHOOQ
