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Robert Wilson ‘Black and White’

Galeria Luisa Strina

12 August 17 - 9 September 17

Luisa Strina presents Robert Wilson’s first exhibition at the gallery.

Robert Wilson is one of the rare artists who works across artistic media without being buoyed by one method of making. The process of creation transcends a single medium and instead finds outlet within the archetype of an opera, the architecture of a building, the stains in a watercolor drawing, the design of a chair, the choreography of a dance, the rhythm of a sonnet, or the multiple dynamics revealed in a Video Portrait.

While widely known for creating highly acclaimed theatrical pieces, Robert Wilson’s work is firmly rooted in the fine arts. His drawings, paintings and sculptures have been presented internationally in hundreds of solo and group showings. For Black and White Wilson will be presenting two video portraits and a selection of over 30 works on paper.

WORKS ON PAPER

Robert Wilson’s drawings are about time; the future, the present, the past.

Many of the drawings are about the time when a new or old theatrical production is being studied in advance of the production. They are the concrete or abstract visual representations that will inform what Wilson might or might not see as possible on the stage.The drawings can be specific to what Wilson envisions for that particular act, scene or interlude.

Another set of drawings might be made when the stage work is being physically created within the theater itself. These drawings might be about what Wilson sees or wants to see, or might not want to see on stage during rehearsals. They might be about what is happening that day, the next day, the previous day on the stage itself. The drawings tend to be a record of what the production is, was, or where it might be going.

Another set of drawings might be about the times when reflecting back on a production that has been. They are what Wilson remembers the work to be or wishes it was.

At all times Wilson’s drawings stand alone, independent from his theater. His drawings are works of art and his own theatrical associations are not necessary to speak of, can be a distraction, and as he says might get in the way of seeing clearly.

 

Galeria Luisa Strina (press release)

 

Robert Wilson ‘Black and White’ Installation view Galeria Luisa Strina, 2017.
Photography Edouard Fraipont, Courtesy Galeria Luisa Strina.
Robert Wilson ‘Black and White’ Installation view Galeria Luisa Strina, 2017.
Photography Edouard Fraipont, Courtesy Galeria Luisa Strina.
Robert Wilson, Black Rider (Scene 1/3/5/7/9), 1989
Charcoal on paper, 50 x 70 cm.
Courtesy Galeria Luisa Strina.
Robert Wilson
Danton’s Death (Act III Scene 5) 1992
Charcoal on paper, 55.9 x 76.2 cm.
Courtesy Galeria Luisa Strina.
Robert Wilson ‘Black and White’ Installation view Galeria Luisa Strina, 2017.
Photography Edouard Fraipont, Courtesy Galeria Luisa Strina.
Robert Wilson, The Forest (Act I), 1987
Graphite on paper, 59 x 73.5 cm.
Courtesy Galeria Luisa Strina.
Robert Wilson ‘Black and White’ Installation view Galeria Luisa Strina, 2017.
Photography Edouard Fraipont, Courtesy Galeria Luisa Strina.
Robert Wilson, Doctor Faustus Lights The Lights, 1992
Graphite and charcoal on paper, 70 x 100.4 cm.
Courtesy Galeria Luisa Strina.
Robert Wilson ‘Black and White’ Installation view Galeria Luisa Strina, 2017.
Photography Edouard Fraipont, Courtesy Galeria Luisa Strina.
Robert Wilson, Die Frau ohne Schatten (Number 11), 2002
Soft pastel, color pencil, watercolor and graphite on paper, 36 x 26 cm (Díptico).
Courtesy Galeria Luisa Strina.
Robert Wilson, Die Frau ohne Schatten (Numbers 15 & 16), 2002
Soft pastel, watercolor and graphite on paper, 34 x 21 cm (Díptico).
Courtesy Galeria Luisa Strina.
Robert Wilson ‘Black and White’ Installation view Galeria Luisa Strina, 2017.
Photography Edouard Fraipont, Courtesy Galeria Luisa Strina.

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